Chapter 15 – Musical Theatre
Operattas – Stage plays with songs and dance interspersed with spoken lines.
Broadway musical – A dramatic stage form that combines the arts of acting and singing.
Vaudeville – An early variety show that included songs, dances, and comedy skits.
Dialogue – The spoken lines of a play or musical show.
Monologue – A dramatic speech or song delivered by one character in a play
Repertoire – An inventory of compositions mastered and performed by a musician.
Motive – A short musical idea that is easily remembered and helps unify a composition.
Chapter 16 – Music in Film
Scoring – Composing music expressly for a film.
Soundtrack – A perforated strip along the film’s edge containing coded representations of the sound.
Character themes – melodies associated with a particular character that recur throughout the film.
Empathy – The sharing of another person’s feelings or emotions
Foreshadow – suggest actions or events before they happen.
Cue – the specific music for a particular scene in a fulm or television production.
Music director – the professional responsible for selecting, commissioning, and/or writing the music track for a film.
Spot – to determine which scenes should have music.
Click-track – a series of clicks that allow the conductor to synchronize the orchestra’s playing to the film.
Mag track – a film similar to audiotape coated with an oxide surface.
Dubbing – putting all the elements of sound – dialogue, sound effects, and music – onto one soundtrack.
I need some of the answers for the questions in the textbook. if anyone has them please post them in the comments below or the wall on the side bar
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